A brave band of chrome yellow straight out of my paintbox streaks the sky. So observed Ronald Blyth of winter light opening up a portend of change to come in his opening lines of Next to Nature. I'd planned to be chubbing today not too far down the Stour valley from Bottengoms Farm, his home on the Suffolk/Essex border once the domicile of John Nash, painter of British landscapes Instead I skulked around the lanes of North Norfolk in a stygian gloom, having obeyed the foreboding Weather App and stayed firmly rodless in Norfolk. No band of any hue. just dank, wind filled murk.
Yesterday I had a portent of change in hues of silver, blue and fiery red. Only a river angler really sees those colours. Winter roach. I'd started on the mill pool above the Soay meadow, working out where the dace wanted the maggots to be in that slacker glide at my feet, tripping along the crease
Roach Straight had been obliterated by the evil Black Plague hordes and had become a virtual Cyanide Straight. Perhaps the roach had regained a tentative fin hold again? On the fringes of legality I hunkered down as discretely as I could, so much so a passer-by remarked on the stealth green-ness of my presence in my new Big Coat and a green bucket, the likes of which he'd never seen before.








Lovely shiny beasts.
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